An Interview with Hammer Expert & Author Marcus Hearn about Dracula (1958)



This is a very exciting release for horror fans isn’t it?


Marcus: It’s an exciting release for Hammer fans and, as you say, anybody interested in classic horror films. And if you’re a beginner this is a great place to start.


Dracula is one of the most portrayed characters in film. Why is Christopher Lee’s the one that is perhaps best remembered?



Marcus I think his interpretation is definitive. Lee transformed our perceptions of the character, suggesting the character’s danger and cruelty in a far more subtle way than had ever been suggested before. He quite rightly interprets Hammer’s Dracula as an urbane sexual predator, and I think every subsequent portrayal owes something to his performance here. He dominates this film with remarkably little screen time.


Why is this such an important version of the classic story?


Marcus This was the film where the formula for classic Hammer horror was perfected. Everything came together with Dracula, both on screen and behind the scenes. Its creative and commercial impact inspired almost 20 years of Gothic horror films from Hammer. It’s possibly even more important for the way it influenced cinematic interpretations of Bram Stoker’s novel. Here is Dracula presented as a story about sex. The influence of that decision is still felt today in modern films and TV series about vampirism.



What is your favourite thing about this film?


MarcusIts production values are modest but flawless. The lighting is beautiful; the performances – especially from Peter Cushing and Christopher Lee – are detailed and sincere. It’s eerie, erotic and surprisingly savage in the final act. This is not an explicit film by modern standards, but it’s a horror film for grown-ups.

You have to take into account the film’s age, or rather the conservative era in which was made. But I think that’s pretty much the only concession you have to make. Anyone expecting torture porn, explicit sex or a bloodbath is going to be disappointed. It’s carefully paced, erotic, unsettling, occasionally shocking and even thought-provoking. The restorations on these discs – especially the Blu-ray – really enable us to fully appreciate the craftsmanship that went into the making of Dracula.

dracula 1958


It’s pretty incredible that the additional footage was found in Japan. What can you say about the footage that has been reinstated into the film?


Marcus:It’s nothing short of a miracle that it survived and that it’s been so brilliantly restored and integrated. The classic formula for Hammer horror basically comprises sex and death, and the reinstated footage provides more of both. The original version of the sequence where Dracula seduces Mina can now be seen for the first time outside Japan. The unspoken interaction between Christopher Lee and Melissa Stribling carries a powerful erotic charge which alarmed British censors in 1958.

 The extra death comes in a now complete version of Dracula’s disintegration at the end of the film. This is a remarkable special effect by the standards of the day (no CGI in 1958!) and is not only startling but also restores the original rhythm of the editing in that sequence. This is surely one of the most iconic moments in post-war cinema and now we can finally see it as director Terence Fisher intended.


The film is notable for its beautiful colours, presented here for the first time in accurate, High Definition. What is your favourite thing about the restoration?


Marcus:It’s not been discussed much, but this is the first time the film has been released in any home entertainment format in its correct aspect ratio of 1:66.1. I think that’s a cause for celebration. The picture is incredibly sharp for a film of this age, and the colour palette is just as lush as you would expect from a Hammer horror. These films weren’t supposed to look realistic – they were nightmarish fairy tales.


You have provided a commentary for the film with Jonathan Rigby. What was this experience like for you and why would you urge fans to listen to it?


Marcus:The commentary was great fun. Jonathan Rigby (writer and film critic) and I were principally there to provide behind the scenes information, but quite often we lapsed into ‘fan mode’ and simply discussed our favourite scenes as they appeared! This was the first time Jonathan had seen the 2012 restoration and you can hear how surprised and impressed he is on the commentary. Or rather commentaries, because at the appropriate moments you’ll hear us say different things about the 2007 and 2012 restorations.


With Twilight, TV’s True Blood and Hammer’s own Let Me In, Vampires have had a boom in pop-culture in recent years. What do you think it is about the mythology of the vampire which is continually attractive to audiences?



Marcus:Vampirism is a metaphorical vehicle to portray so many of the ideas that we find disturbing, such as the loss of humanity and sexual violation. The films and series you mentioned present this in a seductive way, and I think that continues the reinvention that began with Hammer’s Dracula. This seductive quality is partly what the censors objected to in 1958, and this is what has been reinstated to the film now. Dracula may be 55 years old, but in that respect it’s now more relevant than ever.



    Released on 3-disc Double Play on 18th March 2013

Hammer, Icon Film Distribution and Lionsgate are proud to present a major event in British film history.

Terence Fisher’s 1958 classic DRACULA, fully restored in High Definition and available on Blu-ray and DVD for the first time. The release will contain two versions of the feature (seamlessly branched on the Blu-ray):

The 2007 BFI restoration plus the 2012 Hammer restoration, which adds additional footage that has been unavailable for decades.

The additional footage comprises two of the scenes that were originally censored by the BBFC in 1958 that have now been restored to the film from the “Japanese reels”:

• Dracula’s seduction of Mina

• Dracula’s sunlight disintegration

These will be the most complete versions ever released and taken together fully deserving of the description DEFINITIVE.

DRACULA has been unavailable on any UK home entertainment format for many years. This release will be at the correct aspect ratio of 1.66:1 which has never been available for home viewing.

Available 18th March in the UK on 3-disc Double Play, the pack comprises 1 x Blu-ray and 2 x DVD, the release also includes brand new featurettes, a new commentary track, multiple bonus extras and a stills show (see below for full list of extras).

DRACULA is the first in the series of Hammer films inspired by the Bram Stoker novel Dracula. It was directed by Terence Fisher, and stars Peter Cushing, Michael Gough, Carol Marsh, Melissa Stribling and Christopher Lee.

Dr. Van Helsing, investigating the death of his friend Jonathan Harker, concludes that Harker was the victim of a vampire. When Harker’s fiancée, Lucy, becomes affected by the terrifying force and hypnotic power of Count Dracula, Van Helsing releases her tortured soul by driving a stake through her heart. But Dracula seeks revenge, targeting Lucy’s beautiful sister-in-law, Mina. Van Helsing, now aided by Mina’s husband Arthur, swears to exorcise this evil forever by confronting the vile and depraved Count himself.

Four Brand-New Featurettes

“Dracula Reborn”. New 30 min. featurette about the film’s creation and history, featuring, among others: Jimmy Sangster, Kim Newman, Mark Gatiss, Jonathan Rigby and Janina Faye (Tania in the film).

“Resurrecting Dracula”. New 20 min. featurette about the film’s restoration, from the BFI’s 2007 restoration through to the integration of “lost” footage, featuring interviews with key staff at the BFI, Molinare and Deluxe142. Also covers the February 2012 world premiere of Hammer’s interim restored version including “vox pop” interviews with fans after the event.

“The Demon Lover: Christopher Frayling on Dracula”. New 30 min. featurette.

“Censoring Dracula”. New 10 min. featurette on the original cuts to the film ordered by the British Board of Film Censors.


New commentary by Hammer historian Marcus Hearn and author & critic Jonathan Rigby


  •        All 4 surviving “Japanese reels” (6 – 9) unrestored (40 mins
  •        The World Of Hammer episode: Dracula And The Undead
  •        Janina Faye reading a chapter of Stoker’s novel at the VAULT festival
  •        Stills Gallery of over 100 fully-restored and rare images
  •        Booklet by Hammer archivist Robert J. E. Simpson (PDF)
  •        Original shooting script (PDF)

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